Image via ARRI.ĪRRI’s newest and wildly popular ALEXA Mini LF (large format) and ALEXA LF are the current top consumer-level offerings from the German camera manufacturer. ARRI ALEXA LF and ALEXA Mini LF The ALEXA LF and ALEXA Mini LF are often used together. What if you wanted to own the camera, and maybe even rent it out yourself? Here are the top Hollywood cameras you can actually purchase. The Panavision Millennium DXL2 was used to capture films like Star Wars Episodes VII, VIII, IX, Midsommar, Extraction, and F9.Įxpensive Cameras Available to Purchase (If You Have the Cash) It’s said the camera body rental rate starts around $1,000 per day, with insurance rates of $300,000 in equipment and $1M in liability. This is Panavision’s response to the ALEXA 65, and also earns the “Filmed in IMAX” moniker. The latest flagship camera is the Panavision Millennium DXL2, which was a collaboration between Panavision and RED’s Monstro sensor. Panavision doesn’t sell any of their cameras, they’re only available through their rental service. The ARRI ALEXA 65 was used to capture films like The Revenant, Joker, Avengers: Infinity War/ Endgame, Mission Impossible: Rogue Nation, and Captain America: Civil War. For a camera package rental, you’re looking at around $10,000 per day. The camera body can’t be sold individually, as it requires the entire ALEXA 65 system and workflow to work, meaning the camera body alone is easily around $150,000. The ARRI ALEXA 65 is the company’s flagship camera with the industry-leading capture technology. IMAX partnered with several camera manufacturers to create a new “Filmed in IMAX” lineup. Image via ARRI / Warner Bros.Īgain, so rare and exclusive that you can’t buy one. ARRI ALEXA 65 The ARRI ALEXA 65 body can’t be sold individually, it’s a package deal. Each time, the camera has been insured for around $500,000. How expensive are these cameras? Well, IMAX won’t tell, but Christopher Nolan and crew have damaged at least three IMAX cameras in the productions of The Dark Knight, The Dark Knight Rises, and Dunkirk.
Don’t forget the entire camera package and the film itself. You can only rent these cameras for allegedly around $16,000 per week, but that’s likely for the body only. Image via IMAX / Paramount Pictures.įor starters, the IMAX cameras are so expensive and rare that you can’t buy one. IMAX Cameras Not only are they expensive, the IMAX cameras are rare, therefore you can’t buy one. The cameras that only the biggest movies in the world work with. The Cameras Are So Expensive You Can Only Rent Them
So, while your starting point in the $50K range may seem more affordable than you thought, don’t forget you easily need another $50K in accessories, then lenses on top of that. These cameras are either so expensive you can’t even buy them, or if they are available to purchase, you’re going to spend tens of thousands of dollars just getting the body, without any ability to do things like record footage. We took a look at the cameras and lenses used on the latest Oscar nominated films, but what would it cost if you decided to buy one of these camera bodies instead of renting them?
Sony video recorder pro#
Unless you have hundreds of thousands in the bank, you probably can’t shoot with these pro cameras without renting them.
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