The stories are often funny, exciting, smart, sharp, tight, and occasionally touched with tragedy. Amid all this, Usagi strives to uphold the warrior ideals of bushido and find a sense of enlightenment on his journey. And just as well, he builds no small list of enemies, including the dire Lord Hikiji (the power-hungry lord who is the very reason why Usagi no longer has a master), the Neko and Komori ninja clans, the Koroshi league of assassins, and the demonic ronin Jei. He often encounters humble folk plying their trade in an often cruel and harsh world (and along the way, learns a bit about their work, like brewing sake or weaving tatami mats).Īlong his way, he builds a vast cast of friends, allies and rivals, including the bounty hunger Gen, fellow samurai )and love interest) Tomoe, the ninja Chizu, the third Kitsune, the noble lord Noriyuki, the stalwart Inspector Ishida, and of course, Usagi’s own son (and chip off the old block), Jotaro. On his endless adventures, Usagi confronts wicked bandits, cruel tyrants, sinister assassins, and dire supernatural fiends.
He goes wherever fate takes him, living by his honor, his swordsmanship and by the grace of the friends he makes along the way. In a land very much like Japan, in a time very much like the early days of the Tokugawa Shogunate, when legions of samurai suddenly found themselves out of work in a war-torn land trying to get back to normal, a masterless samurai - a ronin - named Usagi Yojimbo walks the path of a student-warrior. This review does not include the volumes Space Usagi, Usagi Yojimbo: Yokai, Usagi Yojimbo: Senso, Usagi Yojimbo/Teenage Mutant Ninja Turtles: The Complete Collection, or Chibi Usagi: Attack of the Heebie Chibis. They span a 37-year history, across the first seven volumes published by Fantagraphics, across the next 24 volumes published by Dark Horse, and finally across the most recent three volumes published by IDW, bringing us to Usagi Yojimbo v35: Homecoming, published in 2021. This is a cumulative review of the 35 volumes of collected Usagi Yojimbo stories that have been published to date.
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His favorite movie is Satomi Hakkenden (1959).
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He also made a futuristic spin-off series Space Usagi. First published in 1984, the comic continues to this day, with Sakai as the lone author and nearly-sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black and white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paper-back edition of Usagi Yojimbo). He began his career by lettering comic books (notably Groo the Wanderer by Sergio Aragonés and Mark Evanier) and became famous with the production of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan. He and his wife, Sharon, presently reside and work in Pasadena.
He later attended the Art Center College of Design in Pasadena, California. Stan Sakai (Japanese: 坂井 スタンSakai Sutan born May 25, 1953) is an artist who became known as an Eisner Award-winning comic book originator.īorn in Kyoto, Sakai grew up in Hawaii and studied fine arts at the University of Hawaii.
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